Also, make sure you shake the spray more than you think so it it really well mixed. Cheers, Will. Soft, regular or heavy? Gloss acrylic mediums are handy if you want to enhance the natural sheen and luminosity of acrylic paint. I am trying to do a portrait using acrylic paint. I was looking for a soft hue that comes from the sun going down ‘behind’ me. Cheers, Will. I applied it with a 4″ wide paint brush, fyi. Thanks for the very informative site and feedback on the comments section. I hope you dont mind my asking, I am new to all this! Just make a small test sample and pour some on. Painting number two is of a mountain and snow. Kris. Hi, i am new to here and to ‘art’. Use absorbent, medium-to-heavy weight fabrics without deep texture for best results. To attach the Fimo to your canvas glue is going to be your best friend. Whatever you do, make sure that it was designed for artwork. My question is, if it doesn’t work can I paint just with the acrylic paint over a glazing area? Acrylic colours mixed with Pouring Medium won’t go muddy or mix with each other. I added a little bit to my paint for a project that I was working on and like the results I got. Acrylic Pouring is a fascinating fluid painting technique. Thought the ‘visual effect is like condensation on cold glass‘ might be of interest. I am looking for a way to seal the cork. Thanks. Hi Shishu, using water won’t ruin the quality, it will just dilute the intensity of the pigment. What do I do? Applied with a stiff brush thus giving a paper print the illusion of a painting. Do you have a video of this type of use of the heavy gel so I could learn more about the technique ? Thanks. Thanks for your time. The Benefits of using a Fabric Medium: When your paint is thinned with water, the Fabric Medium helps to control colors from bleeding. Cheers, Will. (I tried resins but found them too “hard” and toxic.) Bits of the skin come up, but not much. I only link to products I use and love. Which would you suggest? Many thanks! The Glazing Liquid Gloss is used to help blend edges and achieve very thin glazes when working at an easel. This still seems sticky long after it has dried, what do I use to stop this? Glazing medium dries to a glossy surface. Use Gel Mediums to Thicken Acrylics. is this correct? Here’s where I could really use your help, Will. You don’t mention it in this article about mediums…so I was wondering how it compares to the ones you mentioned. ANYWAYS, THANK YOU FOR ALL YOUR HELP ON PAINTING. “…but it wouldn’t be used in replace of a retarder.” Does it just not extend it as long? I would like to use something that will give my paintings a glass-like coating I know if I use crystal clear resin it will turn yellow in time… so what can I use to get the same effect yet keep that glass like look on my acrylic paints and or different mediums I use. I know the pouring medium leaves a gloss finish, which I don’t really care about, I just want a medium to extend a little paint into a lot of paint and be able to pour it onto my canvas. Manufacturers rarely make blank mediums … Basics acrylic mediums are excellent student-quality formulas - ideal when you're starting out, when you're on a budget or when you're experimenting. The Liquitex is just a touch more glossy, but works in exactly the same way. This video shows a demonstration of the different qualities of the Molding Pastes. I’ve never used a finish like this,usually I just varnish my canvas when I’m done with a spray coat.If you have any ideas or which finishes to use I could definetly deal with some help. Pro tip: I use the gloss version of the glazing liquid because on semi-gloss and matte versions, the matting agent contained within the medium can sometimes cause a milky finish, especially on very dark, black areas of a painting. The amount of water you add depends on the desired effect and the surface. Thank you for your precious advices. Cheers, Will. This post contains affiliate links, and I will receive a small commission from any sale resulting in the clicking of these links. (!) I also want people to be able to get them wet and not have the design wash off. Hi Sheryl, Nice to hear from you, and pleased you’ve been enjoying the website. It has self levelling properties so should find its own level. Hi Joan, yes you can combine mediums together to create a mix and flow that works for you. Why We Use Acrylic Paint. So glad I came across your site! Help! However, when I rub off with the damp cloth all of the paper comes off. Quick question: What are your thoughts on Liquitex? Adding Texture: Instead of using thick paint, you can create texture with a gel and paint on top. Artists who work with acrylic paints have a few options when it comes to finishing a painting with a glossy finish. WILL, DO U EVER PAINT WITH GOUACHE? If you don't want to buy an expensive pouring medium for now because you are barely dipping your toes into fluid art, then go ahead and mix a batch of your own. Hi Chris, you just need to use a clear gel, such as these from Golden paints, the amount of texture and stiffness you’d like varies depending on the gel you use, soft gel being the softest and Extra Heavy Gels being the stiffest. I’d hold the print up to the light and see how shiny it is in relation to a couple of swatches of the gloss and matte gels, then you can match the sheen so your textures blends in. However, I did end up purchasing Golden’s soft gel gloss, and regular gel gloss (though I would have preferred regular gel semi-gloss), but when I went to find the Acrylic Glazing Liquid the store didn’t carry it. I want to bring out the the colors, transparency, and sink the cutout Mylar pieces to the back for more uniform top? Do you think painting glazing liquid gloss on top will restore the sheen. I guess I will try fluid medium since I’m out of other ideas at this point. Are you using artist quality white? Thanks a lot. Once dried, modeling paste can be sanded and/or painted over. You could also experiment with a ‘Hard Molding Paste’, this will dry to a hard surface but can also be carved into after it has dried. I prefer to slightly dilute my paints when I’m blocking in local colours to a painting, so I would use Soft gel gloss for this. Any suggestions? I am overwhelmed with all the products out there… Thanks for your help. HOW TO MIX WITH ACRYLICS? Do you use retarder in your water spray at all? I want fluidity but for the paint not to spread. Hi Lynda, nice to hear from you. Massive help. I am late finishing a custom piece of art. your knowledge is a tremendous help in wading through the plethora of gels, mediums and other additives. GOLDEN Fluid Matte Medium, Matte Medium or GAC 100 (for acrylics) will all work well as clear “gessoes” to allow the look and texture of the canvas or other support to show through. I’ve taken my drawing abilities and transferred them to canvas and am painting a rose on a 18×24 canvas for my wife. thank you very much, Will, for the prompt and specific answer. Hi Danny, you can just mix in the gel with the paint and it will dry with a glossy finish, you can see a demo in the video above how I mix in a regular gel, it’s exactly the same principle just the gloss gel will have a more reflective, glossy finish. I would like to install him on a base that will look like ice: shiny, translucent with a greenish glow. My dad bought me a jar of Windsor & Newton’s Artists’ Acrylic Gloss Medium. Hi Cheryl, you wouldn’t mix the resin with the acrylics, its just handy for embedding objects in clear spheres. Gluing/Laminating: Soft Gel Gloss can be used as a glue substitute for collage effects. Using a medium, such as glazing medium, you can work with thin layers that don’t run, but still have a glass like finish. Thanks. Made with genuine glass beads roughly the size of poppy seeds or clear acrylic granules with a consistency similar to coarse sea salt. Tips for using acrylic mediums 1. ACRYLIC MEDIUMS TO USE WITH PAINT . Hi! I wanted to know if I could write on the painting while it is still wet and have the words blend into an image but still be readable . It is surprisingly sticky and is also available as a Matte medium. Mediums can thicken or or thin paint, make it dry slower, add a glossy sheen or give your painting an interesting texture. This thins the paint consistency from the tube (using GOLDEN heavy body acrylics) yet creates the perfect consistency for my initial ‘lay in’ stage of the painting. Hi Meryl, What a shame! Would they allow the second or third layers to cast shadows? CURIOUS TO KNOW MORE ABOUT RESIN? Golden produce several specialist Acrylic Gels that add rough or granular texture varying from Pumice Gel that can be great for beach scenes to molding paste that is brilliant for building surfaces up, it can even be carved into! What medium would be the best to use in order to achieve this effect? So I was wondering if you would mind sharing your thoughts. VENTILATION: General dilution ventilation is recommended at a level sufficient to keep individuals asymptomatic to inhalation exposure. I often find myself adding a bit more retarder than suggested to extend the working time, and like you said in the videos, water doesn’t work too well when working on canvas for thinning paint out, so I thought Open Medium could be a possible solution to both those problems. Cheers, Will. Have you ever tried a spray varnish? Not if you’re using acrylics as most boards come pre-primed, you might find this article interesting. Hi Maria, a thin wash of zinc white would do it. AND IDEAS AND EXAMPLES ON BEST WAY TO USE. Sorry this all foreign to me , so would appreciate any advice. Thank you so much for all of your tips and pointers! Hi Veronica, I would use a smooth surface and a soft brush such as a sable, you could dilute just with water, or use a pre-thinned paint such as ‘fluid acrylic’ or ‘high flow acrylics’ for more ink like effects. I am looking for a matte finish. I’ve found the colours very good and you could easily mix in extra gold power/shell gold into the already existing pigment. If using just retarder and paints it’s not usually recommended to exceed 15% (1:6) but if you’re just misting over the top it should be fine. I am a self taught artist. I can’t imagine there would be, but I don’t personally use Mod Podge within my works so couldn’t say for sure. Thank you Regards . No matter how I’ve applied it (how much/how little, back supports, quick troweling/spreading, etc) it seems to never settle to an even level. Try it with a test piece first. Someone gave me a jar of Golden Regular Gel medium, but it is dried out. Can you help me with this? I want it glossy but not ridiculously glossy. using an inexpensive small brush but doesn’t seem to do the trick adding a nice thick layer. Am I right in thinking that using GOLDEN Soft Gel Matte will solve this? Once the fabric medium has been mixed with your acrylic paint it will improve the use and also the flow of your paint when applied to the fabric. I mentioned this briefly to my tutor this week and she suggested a gel medium but, having read your article, I have no idea if (a) this is the solution or (b) which one to use? You can mix in paint to the molding paste to give the green effect, but the surface texture would be satin. I HAVE BEEN EXPERIMENTING WITH GOLDEN PRODUCTS LATELY AND TRIED THE GLASS BEAD GEL AND LOVED IT! I start with applying graphite on the canvas and want to coat with a gel medium. Thus far I’ve had good results cutting out the image and applying a thin coat of Omnigel medium texture transfer gel to wood, stone and textures plastic. So I have many questions: 1.) I would go for a satin giclee varnish, you can get specialist varnishes for giclee prints that hold onto the print really well and will give a nice lustre. I know I can use gels as a “paste” for the collage onto the canvas; but, my concern is how to paint on top of the collage without it affecting the collaged images. In the video tutorial above I demonstrate Regular Gel and Extra Heavy Gel. Will. A big thanks for the article. Hi Tania, you can use gel medium to stick paper and card and if the mirrored surface is light enough it would also stick, but usually with the gel you paint it over the paper surface so it really holds it well. I really would appreciate your advice. Hi Cheryl, the best way to improve the drying time of oils is to mix in a ‘Alykd medium’ such as Liquin from Winsor & Newton. 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